The unnamed narrator moves into a flat and sees that one of his fellow residents is Bernardo Davanzati, who published a couple of novels some time ago but has now seemingly disappeared. While looking in the rubbish for a magazine he mistakenly threw away, he comes across pages full of handwritten text, clearly those of Davanzati. He takes these pages and thereafter checks every day, collecting a mass of pages. In these pages, Davanzati seems to be writing what may be a novel, or stories or his autobiography, the narrator is not sure which. Eventually, he takes it further, breaking into his flat and contacting people who may know or have known Davanzati.
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Héctor Abad Faciolince: Basura [Rubbish]
Abad is considered one of the most talented post- Latin American Boom writers in Latin American literature. Abad is best known for his bestselling novel Angosta , and more recently, El Olvido que Seremos t. Oblivion: A Memoir. While in Mexico , he attended literature, creative writing and poetry workshops at La Casa del Lago, the first off campus cultural center of the National Autonomous University of Mexico. Later in , he was expelled from the University for writing an irreverent article against the Pope. Abad returned to his home town in Colombia in , but later that year his father was murdered by the paramilitaries in a crime that brought about shock in Colombia.
Héctor Abad Faciolince
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